Lewis Nordan's Wolf Whistle account of the Till Murder Essay

Lewis Nordans Wolf Whistle account of the Till Murder - Essay ExampleHe claims that his racial identification with the murderers troubled him and that he felt by race and geography ... somehow implicated. He adds, Maybe I believed that as a whiteness guy who knew the murderers and neer spoke out against the injustice, or even asked a question about it at the dinner table, it was simply non my story to tell. Eventually he realized that he could use his fiction to explore his feeling of implication and the society in which he feels so implicated. In Wolf Whistle, he has create verbally what he calls the white trash version of the Emmett Till murder ... the story of the people who were on the periphery of this terrible thing, who didnt know what was going on, didnt quite watch their own culpability in the situation.Nordans project in Wolf Whistle has an affinity with that of Toni Morrison and other social theorists and literary critics who in recent eld have begun to turn the gaze of race theory toward the construction of white identity. A brief examination of their contributions to the field may help us to commiserate better Nordans novel. In Playing in the Dark Whiteness and the Literary Imagination, Morrison describes her project as an effort to avert the comminuted gaze from the racial end to the racial subject, from the described and imagined to the describers and imaginers and to examine the impact of notions of racial hierarchy, racial exclusion, and racial vulnerability on nonblacks who held, resisted, explored, or altered those notions. Morrison proposes not to treat whiteness in American literature as natural and self-sustaining but rather as something sycophantic, constructed, contingent on an Africanist presence. She hopes to refute the conventional wisdom that because American literature has been clearly the preserve of white male views, genius, and power, those views, genius, and power are without relationship to and removed from the overwhe lming presence of black people in the united States.Many other literary critics have taken up Morrisons cause and have reexamined the American literary canon with a different gaze. Jerry Phillips discusses how certain literary texts illuminate the pedagogy of whiteness, the way one learns to experience oneself as a member of the white race and goes on to discuss a few of the countless ways in which United States literary works aided in the naturalization of whiteness. Phillips argues that we critics should commit ourselves to illuminating issues of contingency, historicity, and arbitrariness in the construction of whiteness. Rebecca Aanerud calls for the development of a critical reading practice that foregrounds the construction and representation of whiteness and will challenge the way in which many texts by white United States authors are complicit with the discourses of white supremacy. She further argues that Whiteness, like race in general, cannot be understood simply as a na tural phenomenon .... The recognition of whiteness as not a set fact--that is, having white skin--but instead as a product whose meaning and status must be sustained by a cultivate of reproduction along pre-established lines is crucial to an interruption of whiteness as the status quo. Phillips and Aanerud also lay the burden of deconstructing and decentering whiteness at the feet of literary